Lifeboat Foundation

Transhumanism is all about the creative and ethical use of technology to better the human condition. Futurists, when discussing topics related to transhumanism, tend to look at nano-tech, bio-mechanical augmentation and related technology that, for the most part, is beyond the comprehension of lay-people.

If Transhumanism as a movement is to succeed, we have to explain it’s goals and benefits to humanity by addressing the common-man. After all, transhumanism is not the exclusive domain, nor restricted to the literati, academia or the rich. The more the common man realizes that (s)he is indeed already transhuman in a way — the lesser the taboo associated with the movement and the faster the law of accelerating returns will kick in, leading to eventual Tech Singularity.

Continue reading “4 ways Google Glass makes us Transhuman” »

A widely accepted definition of Transhumanism is: The ethical use of all kinds of technology for the betterment of the human condition.

This all encompassing summation is a good start as an elevator pitch to laypersons, were they to ask for an explanation. Practitioners and contributors to the movement, of course, know how to branch this out into specific streams: science, philosophy, politics and more.

- This article was originally published on ImmortalLife.info

Continue reading “Dirrogate Singularity — A Transhumanism Journey” »

Of the two images above, as a typical Science Fiction reader, which would you gravitate towards? In designing the cover for my book I ran about 80 iterations of 14 unique designs through a group of beta readers, and the majority chose the one with the Green tint. (design credit: Dmggzz)

No one could come up with a satisfying reason on why they preferred it over the other, except that it “looked more sci-fi” I settled for the design on the right, though it was a very hard decision to make. I was throwing away one of the biggest draws to a book — An inviting Dystopian book cover.

As an Author (and not a scientist) myself, I’ve noticed that scifi readers seem to want dystopian fiction –exclusively. A quick glance at reader preferences in scifi on sites such as GoodReads shows this. Yet, from noticing Vampire themed fiction rule the best seller lists, and from box office blockbusters, we can assume, the common man and woman is also intrigued by Longevity and Immortality.

Continue reading “Why does Science Fiction gravitate towards Dystopia and not the Utopia that Transhumanism promises?” »

Artifacts, Artifictions, Artifutures 0.5

It’s not a physical landscape. It’s a term reserved for the new technologies. It’s a landscape in the future. It’s as though you used technology to take you off the ground and go like Alice through the looking glass.
John Cage, in reference to his 1939 Imagined Landscape [1].

In the last installment (see here, here and here) I argued that the increasing prominence and frequency of futuristic aesthetics and themes of empowerment-through-technology in EDM-based mainstream music videos, as well as the increasing predominance of EDM foundations in mainstream music over the past 3 years, helps promote general awareness of emerging-technology-grounded and NBIC-driven concepts, causes and potential-crises while simultaneously presenting a sexy and self-empowering vision of technology and the future to mainstream audiences. The only reason this is mentionable in the first place is the fact that these are mainstream artists and labels reaching very large audiences.

In this installment, I will be analyzing a number of music videos for tracks by “real EDM” artists, released by exclusively-EDM record labels, to show that these futuristic themes aren’t just a consequence of EDM’s adoption by mainstream music over the past few years, and that there is long history of futuristic aesthetics and gestalts in electronic music, as well as recurrent themes of self-empowerment through technology.

In this part I will discuss some of these recurrent themes, which can be seen to derive from a number of aspects shared by Virtual Art (any art created without the use of physical instruments), of which contemporary electronic music is an example because it is created using software. I argue that this will become the predominant means of art production — via software — for all artistic mediums, from auditory to visual to eventual olfactory, somatosensory and proprioceptual artistic mediums. The interface between artist and art will become progressively thinner and more transparent, culminating in a time where Brain-Computer-Interface technology can sense neural operation and translate this directly into an informational form to be played by physical systems (e.g. speakers) at first, but eventually into a form that can be read by given person’s own BCI instantiated phenomenologically via high-precision technological neuromodulation (of which deep brain stimulation is an early form).

Continue reading “Electronic Music as Emerging Tech. Embryo of Art's Entire Future — Part One” »

Freedom fironically found in flesh, not knowing whe’er I’m foul or fowl… tickly bound neath trickly form twisting and more unfresh as dawn upon dawn dies in menstrual skyfire like blood made light — a mocking microcosm of my own transubstantiation from rotting viscera to lightstorm infinity?

Just what sick joke is this? To wake and ache and dream and be and become! – and then to die..? To culminate the very universe itself!.. and then to simply die?! For what I ask you! What! Death… what audacious greed! What reckless squander and heedless extravagance!

Guttural red fringed black a bulbous muck death bastphelgmy! We cannot comprehend the sheer stature of death and so hurriedly cover the unknown with a word to hold it in hand and at a distance, to doubt no doubt.

O pallid heavens! O incessant sun undaunted by my barrenaked finitude! O fetid sanctity wet and redragged as the sickly bloom of jagged flesh! O putrid night sky serene despite my spat fury; as I ebb and ember a’roil withinside my sadness unbelieving and hysteric animal heat that vile sun and auster night jaunt their jeer and mock the rude squall of my panicstrewn death nonetheless.

Continue reading “An Open Letter to Death” »

May peace break into your home and may thieves come to steal your debts.
May the pockets of your jeans become a magnet for $100 bills.
May love stick to your face like Vaseline and may laughter assault your lips!
May happiness slap you across the face and may your tears be that of joy
May the problems you had, forget your home address!

In simple words .….….……May 2013 be EXTRAORDINARY … the best year of your life!!! Simply the best New Year greeting anyone has sent to me. This was from Robert White of Extraordinary People.

This morning I checked the Lifeboat stats for 2012. When I started blogging for Lifeboat at the end of July, we ended July 2012 with 42,771 unique visitors. We closed 2012 with 90,920 unique visitors for the month December. Wow! Our blogging has become more relevant, and more thought provoking. As a community of bloggers (with the exception of one) we have moved away from the 3 Cs of pseudoscience. Clouding the field. Confusing the public’s perception. Chasing away talent.

How did we do this? By backing up our discussions with hard facts, robust debate and real numbers. From years if not decades of investigation in our field of research. By speaking from our own unique experience. By sharing that unique experience with our readers.

Continue reading “2012 was Great and may 2013 be Extraordinary” »

On January 28 2011, three days into the fierce protests that would eventually oust the Egyptian president Hosni Mubarak, a Twitter user called Farrah posted a link to a picture that supposedly showed an armed man as he ran on a “rooftop during clashes between police and protesters in Suez”. I say supposedly, because both the tweet and the picture it linked to no longer exist. Instead they have been replaced with error messages that claim the message – and its contents – “doesn’t exist”.

Few things are more explicitly ephemeral than a Tweet. Yet it’s precisely this kind of ephemeral communication – a comment, a status update, sharing or disseminating a piece of media – that lies at the heart of much of modern history as it unfolds. It’s also a vital contemporary historical record that, unless we’re careful, we risk losing almost before we’ve been able to gauge its importance.

Consider a study published this September by Hany SalahEldeen and Michael L Nelson, two computer scientists at Old Dominion University. Snappily titled “Losing My Revolution: How Many Resources Shared on Social Media Have Been Lost?”, the paper took six seminal news events from the last few years – the H1N1 virus outbreak, Michael Jackson’s death, the Iranian elections and protests, Barack Obama’s Nobel Peace Prize, the Egyptian revolution, and the Syrian uprising – and established a representative sample of tweets from Twitter’s entire corpus discussing each event specifically.

It then analysed the resources being linked to by these tweets, and whether these resources were still accessible, had been preserved in a digital archive, or had ceased to exist. The findings were striking: one year after an event, on average, about 11% of the online content referenced by social media had been lost and just 20% archived. What’s equally striking, moreover, is the steady continuation of this trend over time. After two and a half years, 27% had been lost and 41% archived.

Continue reading “The decaying web and our disappearing history”

I have been meaning to read a book coming out soon called Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. It’s written by Harvard biologist George Church and science writer Ed Regis. Church is doing stunning work on a number of fronts, from creating synthetic microbes to sequencing human genomes, so I definitely am interested in what he has to say. I don’t know how many other people will be, so I have no idea how well the book will do. But in a tour de force of biochemical publishing, he has created 70 billion copies. Instead of paper and ink, or pdf’s and pixels, he’s used DNA.

Much as pdf’s are built on a digital system of 1s and 0s, DNA is a string of nucleotides, which can be one of four different types. Church and his colleagues turned his whole book–including illustrations–into a 5.27 MB file–which they then translated into a sequence of DNA. They stored the DNA on a chip and then sequenced it to read the text. The book is broken up into little chunks of DNA, each of which has a portion of the book itself as well as an address to indicate where it should go. They recovered the book with only 10 wrong bits out of 5.27 million. Using standard DNA-copying methods, they duplicated the DNA into 70 billion copies.

Scientists have stored little pieces of information in DNA before, but Church’s book is about 1,000 times bigger. I doubt anyone would buy a DNA edition of Regenesis on Amazon, since they’d need some expensive equipment and a lot of time to translate it into a format our brains can comprehend. But the costs are crashing, and DNA is a far more stable medium than that hard drive on your desk that you’re waiting to die. In fact, Regenesis could endure for centuries in its genetic form. Perhaps librarians of the future will need to get a degree in biology…

Link to Church’s paper

Source

Previous Post in this Debunking Series.

I just watched Looper the movie. It is such a good movie and a great story. But then I’m biased. Anything with Bruce Willis is a great movie. Bruce Willis is getting older, which reminds me so am I!

For those who have not watched Looper I won’t give the story away … Looper is a must watch for science fiction fans. And there were other great movies and episodes about time travel. The three Back to the Future, and the Star Trek episodes, for starters.

That was the good news, and now for the bad news. Time travel is impossible. The mathematics behind time travel is excellent, but the physics is not. In contemporary physics, the mechanism of time travel requires wormholes. You get into a wormhole on one side and you pop out the other side either in the future or in the past, depending on what the wormhole was designed to do.

Continue reading “Debunking Time Travel (Looper)” »