A new coalition of rights-holders has called on the government to support growth in the creative and tech sectors by protecting copyright ahead of an imminent AI consultation.
The BPI, PRS For Music, PPL, MPA and UK Music are among the group of publishers, authors, artists, music businesses, specialist interest publications, unions and photographers.
Launching today, the Creative Rights In AI Coalition has published three key principles for copyright and generative AI policy and a statement supported by all member organisations. The coalition is calling on government to adopt the principles as a framework for developing AI policy.
Here’s my take: I was in the music industry for many years, so I know how it operates. People pay royalties every time an artists music is used. My friend Ayub Ogada made an ungodly amount of money from only one album that supported him all the way past death. His music still generates rotalties. Much of it was due to the smarts of Rob Bozas who ran royalties for Peter Gabriel’s Real World Records. AI companies also will have to start paying royalties to creatives whose intellectual property they use to train their AI just like royalties are paid in the music industry. Many AI companies may not be as profitable as many may think due to liabilities from use of intellectual property to train the AI, as without the content the AI could not be trained. Many lawsuits will happen in the foreseeable future.
Is there a hidden dimension beyond space and time, a cosmic shortcut that could let us defy the speed of light? From warp drives to wormholes, science fiction has long dreamed of hyperspace travel—but could it ever be real?
Visit our Website: http://www.isaacarthur.net. Join Nebula: https://go.nebula.tv/isaacarthur. Support us on Patreon: / isaacarthur. Support us on Subscribestar: https://www.subscribestar.com/isaac-a… Facebook Group: / 1583992725237264 Reddit: / isaacarthur. Twitter: / isaac_a_arthur on Twitter and RT our future content. SFIA Discord Server: / discord. Credits: What Is Hyperspace? Exploring the Science Behind FTL Episode 492; March 27, 2025 Written, Produced & Narrated by: Isaac Arthur. Edited by: Merv Johnson II Select imagery/video supplied by Getty Images. Music Courtesy of Epidemic Sound http://epidemicsound.com/creator. Phase Shift, \
What if Earth was no longer ours? Imagine a reality where alien fungal lifeforms took over the planet, reshaping cities, nature, and even human civilization itself.
This AI-generated Sci-Fi short film is a mind-bending journey into an alternate Earth—a world overtaken by bioluminescent alien fungi, spore-based civilizations, and an eerie, surreal atmosphere.
Inspired by nature’s most resilient organisms, this vision of the future combines biology, science fiction, and cosmic horror into one epic cinematic experience!
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Created with: MidJourney V6.1 (AI Art) Hailuo AI (AI Animation) Suno AI v4 (AI Music)
This compares some of the ringworlds, centrifuges, space stations, and ships that use spin to make gravity. It also try’s to show how the variables of artificial gravity are used to make centripetal acceleration into spin gravity.
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ REFERENCES 1. Hill, Paul R.; Schnitzer, Emanuel (1962 September). “Rotating Manned Space Stations.” In, Astronautics (vol. 7, no. 9, p. 14 18). Reston, Virginia, USA: American Rocket Society / American Institute of Aeronautics and Astronautics. 2. Gilruth, Robert R. (1969). “Manned Space Stations – Gateway to our Future in Space.” In S. F. Singer (Ed.), Manned. Laboratories in Space (p. 1–10). Berlin, Germany: Springer-Verlag. 3. Gordon, Theodore J.; Gervais, Robert L. (1969). “Critical Engineering Problems of Space Stations.” In S. F. Singer (Ed.). Manned Laboratories in Space (p. 11–32). Berlin, Germany: Springer-Verlag. 4. Stone, Ralph W. (1973). “An Overview of Artificial Gravity.” In A. Graybiel (Ed.), Fifth Symposium on the Role of the. Vestibular Organs in Space Exploration (NASA SP-314, p. 23–33). Pensacola, Florida, USA, 19–21 August 1970. Washington, DC, USA: NASA 5. Cramer, D. Bryant (1985). “Physiological Considerations of Artificial Gravity.” In A. C. Cron (Ed.), Applications of Tethers in. Space (NASA CP-2364, vol. 1, p. 3·95–3·107). Williamsburg, Virginia, USA, 15–17 June 1983. Washington, DC, USA: NASA. 6. Graybiel, Ashton (1977). “Some Physiological Effects of Alternation Between Zero Gravity and One Gravity.” In J. Grey (Ed.). Space Manufacturing Facilities (Space Colonies): Proceedings of the Princeton / AIAA / NASA Conference, May 7–9, 1975 7. Hall, Theodore W. “Artificial Gravity in Theory and Practice.” International Conference on Environmental Systems, 2016, www.artificial-gravity.com/ICES-2016–194.pdf.
I normally don’t post videos, but I think many may want to watch this it’s pretty cool. A guy talks about or rather reviews 7 Free AI tools that you can try out now. Some you get credits, and then subscribe later. They are pretty cool. The one that makes music from a description is hilarious.
This is the Fourier Transform. You can thank it for providing the music you stream every day, squeezing down the images you see on the Internet into tiny little JPG files, and even powering your noise-canceling headphones. Here’s how it works.
The equation owes its power to the way that it lets mathematicians quickly understand the frequency content of any kind of signal. It’s quite a feat. But don’t just take my word for it—in 1867, the physicist Lord Kelvin expressed his undying love for this fine piece of mathematics, too. He wrote, “Fourier’s theorem is not only one of the most beautiful results of modern analysis, but it may be said to furnish an indispensable instrument in the treatment of nearly every recondite question in modern physics.” And so it remains.