Lifeboat Foundation

Anomaly is an unusual Christmas tale, set in the late 60’s, which tells the story of a group of people connected by the same astrological event: A frightening meteor that will enter and exit the atmosphere. It is weird and sad and hopeful and just really interesting to watch.

Anomaly is an independent short film directed by Dan DiFelice & Salomon Lightelm. The film rose up to $60,000 in its Kikstarter campaign but it looks as gorgeous as if they had spent two million. Great post production houses like The Mill and Framestore also collaborated in the project. We featured Anomaly here the same day it was released on the Internet and we are very happy to have it on the Sploid Short Film Festival.

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“A California startup called Made In Space wants to make 3D for use in orbit. The idea is to give consumers the opportunity to allow their own satellites to be built right there, several hundred miles above Earth’s surface. Plans are in motion to send up a printer capable of accepting printing instructions from the public and building whatever someone on the ground has in mind.”

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Theatrical Trailer for The Martian. During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

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A Canadian company has clinched a patent for a 12.4 mile-high “space elevator” that could launch astronauts and tourists into orbit.

The free-standing tower would essentially be inflated, supported by a series of gas-pressurized cells, and serve as a docking platform for space planes that could launch cargo, tourists and satellites directly into lower orbit.

Thoth Technology, the Ontario-based company behind the invention, told CNBC the elevator could transport 10 tons of cargo at approximately seven miles per hour, with passengers able to reach the top of the tower in about 60 minutes. Passengers could then board a space plane that could reach lower orbit without the need for costly a rocket launch.

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Physicists have discovered a jewel-shaped geometric object that challenges the notion that space, time and particles are fundamental constituents of nature.

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Astronauts captured a red sprite from their vantage point on the International Space Station. The vibrant jellyfish is part of a thunderstorm that raged over Mexico in early August.

Red sprites are bright flashes that happen directly above thunderstorms with more mundane cloud-to-ground or intracloud lightning strikes. The sprites are brightest at an altitude of 65 to 75 kilometers (40 to 46 miles), but can extend as faint wisps as low as 30 kilometers and as high as 95 kilometers (18 to 59 miles). The sprites are red at the highest altitude, fading to blue at lower altitudes. The largest sprites cluster together in a clump of tendrils up to 50 kilometers (31 miles) across, looking vaguely like red glowing jellyfish.

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Long time ago I was wondering why not to use drones (• (named for that concrete application Extreme Access Flyers) to explore the space, to reach new planets, asteroids … it would be exciting … rovers are limited in action, so what if we make it airborne? Once in space, why not to send a drone or a swarm of them from the main spaceship to explore a new planet? They could interact, share capabilities, morph, etc.

While the economy looks more or less promising for civil and military, there is still a long path to walk …

“Teal Group’s 2015 market study estimates that UAV production will soar from current worldwide UAV production of $4 billion annually to $14 billion, totaling $93 billion in the next ten years. Military UAV research spending would add another $30 billion over the decade.”

Read more at http://www.suasnews.com/2015/08/37903/teal-group-predicts-wo…-forecast/

Continue reading “Using drones to explore space” »

One of life’s great leaps may be just around the corner.

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If you’ve ever watched someone experience virtual reality for the first time, you know it can involve screaming, flapping arms, and occasional falls.

On one level people know their bodies are safe on the stable chair, but as their minds are catapulted through outer space on a spaceship to Mars or beamed into a refugee camp in Syria —they can’t help but lose their grip on reality and go along for the ride.

In fact, our brains don’t even require photorealism for suspension of disbelief in VR. A choppy CGI rendition will cause our heart rates to increase and our palms to get sweaty when we’re riding a virtual roller coaster or standing on the edge of a virtual building looking at the ground 30 stories below.

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