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Archive for the ‘media & arts’ tag

Jul 3, 2013

Human Destiny is to Eliminate Death — Essays, Rants & Arguments on Immortalism (Edited Volume)

Posted by in categories: biological, biotech/medical, education, ethics, fun, futurism, human trajectories, life extension, media & arts, neuroscience, philosophy, policy, rants

coveroriginalhankImmortal Life has complied an edited volume of essays, arguments, and debates about Immortalism titled Human Destiny is to Eliminate Death from many esteemed ImmortalLife.info Authors (a good number of whom are also Lifeboat Foundation Advisory Board members as well), such as Martine Rothblatt (Ph.D, MBA, J.D.), Marios Kyriazis (MD, MS.c, MI.Biol, C.Biol.), Maria Konovalenko (M.Sc.), Mike Perry (Ph.D), Dick Pelletier, Khannea Suntzu, David Kekich (Founder & CEO of MaxLife Foundation), Hank Pellissier (Founder of Immortal Life), Eric Schulke & Franco Cortese (the previous Managing Directors of Immortal Life), Gennady Stolyarov II, Jason Xu (Director of Longevity Party China and Longevity Party Taiwan), Teresa Belcher, Joern Pallensen and more. The anthology was edited by Immortal Life Founder & Senior Editor, Hank Pellissier.

This one-of-a-kind collection features ten debates that originated at ImmortalLife.info, plus 36 articles, essays and diatribes by many of IL’s contributors, on topics from nutrition to mind-filing, from teleomeres to “Deathism”, from libertarian life-extending suggestions to religion’s role in RLE to immortalism as a human rights issue.

The book is illustrated with famous paintings on the subject of aging and death, by artists such as Goya, Picasso, Cezanne, Dali, and numerous others.

The book was designed by Wendy Stolyarov; edited by Hank Pellissier; published by the Center for Transhumanity. This edited volume is the first in a series of quarterly anthologies planned by Immortal Life

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Jun 4, 2013

Recreating Heaven and Earth…in real-time.

Posted by in categories: evolution, futurism, habitats, media & arts, singularity

Prologue:

‘Let there be light,’ said the Cgi-God, and there was light…and God Rays.

We were out in the desert; barren land, and our wish was that it be transformed into a green oasis; a tropical paradise.

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May 30, 2013

Digitizing Emotions — Longevity and the Transhuman

Posted by in categories: ethics, evolution, fun, futurism, life extension, media & arts

Dirrogate_fundawear_memories_with_maya

Emotions and Longevity:

If the picture header above influenced you to click to read more of this article, then it establishes at least part of my hypothesis: Visual stimuli that trigger our primal urges, supersede all our senses, even over-riding intellect. By that I mean, irrespective of IQ level, the visual alone and not the title of the essay will have prompted a click through –Classic advertising tactic: Sex sells.

Yet, could there be a clue in this behavior to study further, in our quest for Longevity? Before Transhumanism life extension technology such as nano-tech and bio-tech go mainstream… we need to keep our un-amped bodies in a state of constant excitement, using visual triggers that generate positive emotions, thereby hopefully, keeping us around long enough to take advantage of these bio-hacks when they become available.

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May 28, 2013

4 ways Google Glass makes us Transhuman

Posted by in categories: evolution, futurism, media & arts, philosophy, robotics/AI, singularity

swiss_army_knife_Google_glass

Transhumanism is all about the creative and ethical use of technology to better the human condition. Futurists, when discussing topics related to transhumanism, tend to look at nano-tech, bio-mechanical augmentation and related technology that, for the most part, is beyond the comprehension of lay-people.

If Transhumanism as a movement is to succeed, we have to explain it’s goals and benefits to humanity by addressing the common-man. After all, transhumanism is not the exclusive domain, nor restricted to the literati, academia or the rich. The more the common man realizes that (s)he is indeed already transhuman in a way — the lesser the taboo associated with the movement and the faster the law of accelerating returns will kick in, leading to eventual Tech Singularity.

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May 24, 2013

Dirrogate Singularity — A Transhumanism Journey

Posted by in categories: ethics, evolution, futurism, homo sapiens, media & arts, philosophy, robotics/AI, singularity

dirrogate_background_website

A widely accepted definition of Transhumanism is: The ethical use of all kinds of technology for the betterment of the human condition.

This all encompassing summation is a good start as an elevator pitch to laypersons, were they to ask for an explanation. Practitioners and contributors to the movement, of course, know how to branch this out into specific streams: science, philosophy, politics and more.

- This article was originally published on ImmortalLife.info

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May 24, 2013

Why does Science Fiction gravitate towards Dystopia and not the Utopia that Transhumanism promises?

Posted by in categories: ethics, futurism, lifeboat, media & arts, philosophy, singularity

Memories_with_maya_dystopia_Dirrogate_small front_cover_Mwm

Of the two images above, as a typical Science Fiction reader, which would you gravitate towards? In designing the cover for my book I ran about 80 iterations of 14 unique designs through a group of beta readers, and the majority chose the one with the Green tint. (design credit: Dmggzz)

No one could come up with a satisfying reason on why they preferred it over the other, except that it “looked more sci-fi” I settled for the design on the right, though it was a very hard decision to make. I was throwing away one of the biggest draws to a book — An inviting Dystopian book cover.

As an Author (and not a scientist) myself, I’ve noticed that scifi readers seem to want dystopian fiction –exclusively. A quick glance at reader preferences in scifi on sites such as GoodReads shows this. Yet, from noticing Vampire themed fiction rule the best seller lists, and from box office blockbusters, we can assume, the common man and woman is also intrigued by Longevity and Immortality.

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May 19, 2013

Electronic Music as Emerging Tech. Embryo of Art’s Entire Future — Part One

Posted by in categories: human trajectories, media & arts, neuroscience

Artifacts, Artifictions, Artifutures 0.5

It’s not a physical landscape. It’s a term reserved for the new technologies. It’s a landscape in the future. It’s as though you used technology to take you off the ground and go like Alice through the looking glass.
John Cage, in reference to his 1939 Imagined Landscape [1].

In the last installment (see here, here and here) I argued that the increasing prominence and frequency of futuristic aesthetics and themes of empowerment-through-technology in EDM-based mainstream music videos, as well as the increasing predominance of EDM foundations in mainstream music over the past 3 years, helps promote general awareness of emerging-technology-grounded and NBIC-driven concepts, causes and potential-crises while simultaneously presenting a sexy and self-empowering vision of technology and the future to mainstream audiences. The only reason this is mentionable in the first place is the fact that these are mainstream artists and labels reaching very large audiences.

In this installment, I will be analyzing a number of music videos for tracks by “real EDM” artists, released by exclusively-EDM record labels, to show that these futuristic themes aren’t just a consequence of EDM’s adoption by mainstream music over the past few years, and that there is long history of futuristic aesthetics and gestalts in electronic music, as well as recurrent themes of self-empowerment through technology.

In this part I will discuss some of these recurrent themes, which can be seen to derive from a number of aspects shared by Virtual Art (any art created without the use of physical instruments), of which contemporary electronic music is an example because it is created using software. I argue that this will become the predominant means of art production — via software — for all artistic mediums, from auditory to visual to eventual olfactory, somatosensory and proprioceptual artistic mediums. The interface between artist and art will become progressively thinner and more transparent, culminating in a time where Brain-Computer-Interface technology can sense neural operation and translate this directly into an informational form to be played by physical systems (e.g. speakers) at first, but eventually into a form that can be read by given person’s own BCI instantiated phenomenologically via high-precision technological neuromodulation (of which deep brain stimulation is an early form).

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Sep 9, 2012

The Recurring Parable of the AWOL Android

Posted by in categories: cybercrime/malcode, defense, ethics, media & arts, military, robotics/AI

Greetings to the Lifeboat Foundation community and blog readers! I’m Reno J. Tibke, creator of Anthrobotic.com and new advisory board member. This is my inaugural post, and I’m honored to be here and grateful for the opportunity to contribute a somewhat… different voice to technology coverage and commentary. Thanks for reading.

This Here Battle Droid’s Gone Haywire
There’s a new semi-indy sci-fi web series up: DR0NE. After one episode, it’s looking pretty clear that the series is most likely going to explore shenanigans that invariably crop up when we start using semi-autonomous drones/robots to do some serious destruction & murdering. Episode 1 is pretty and well made, and stars 237, the android pictured above looking a lot like Abe Sapien’s battle exoskeleton. Active duty drones here in realityland are not yet humanoid, but now that militaries, law enforcement, the USDA, private companies, and even citizens are seriously ramping up drone usage by land, air, and sea, the subject is timely and watching this fiction is totally recommended.

(Update: DR0NE, Episode 2 now available)

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Feb 12, 2012

Badly designed to understand the Universe — CERN’s LHC in critical Reflection by great Philosopher H. Maturana and Astrophysicist R. Malina

Posted by in categories: complex systems, cosmology, education, engineering, ethics, existential risks, futurism, media & arts, particle physics, philosophy, physics, scientific freedom, sustainability

Famous Chilean philosopher Humberto Maturana describes “certainty” in science as subjective emotional opinion and astonishes the physicists’ prominence. French astronomer and “Leonardo” publisher Roger Malina hopes that the LHC safety issue would be discussed in a broader social context and not only in the closer scientific framework of CERN.

(Article published in “oekonews”: http://oekonews.at/index.php?mdoc_id=1067777 )

The latest renowned “Ars Electronica Festival” in Linz (Austria) was dedicated in part to an uncritical worship of the gigantic particle accelerator LHC (Large Hadron Collider) at the European Nuclear Research Center CERN located at the Franco-Swiss border. CERN in turn promoted an art prize with the idea to “cooperate closely” with the arts. This time the objections were of a philosophical nature – and they had what it takes.

In a thought provoking presentation Maturana addressed the limits of our knowledge and the intersubjective foundations of what we call “objective” and “reality.” His talk was spiked with excellent remarks and witty asides that contributed much to the accessibility of these fundamental philosophical problems: “Be realistic, be objective!” Maturana pointed out, simply means that we want others to adopt our point of view. The great constructivist and founder of the concept of autopoiesis clearly distinguished his approach from a solipsistic position.

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